2026년 고3 6월 영어 모의고사 [35,36,37,38,39,40] 지문 변형문제

 

2026년 고3 6월 영어 모의고사

[35,36,37,38,39,40] 지문

변형문제

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2026년 고3 6월 영어 모의고사 변형문제

2026년 고3 6월 영어 모의고사 변형문제

 

 

전문항 확인 하러가기!

https://themakings.co.kr/250/?idx=1347

2026년 고3 6월 전국 연합 모의고사 변형 문제 Part 4 (66문항) (PDF)

 

 

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오늘의 문제

30번 — 글의 내용과 다른 것 고르기

지문 주제: 고전 희곡과 뮤지컬 대본 읽기의 어려움과 올바른 접근법

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지문 핵심 파악부터

이 글은 문학·예술 소재 지문이다. 고전 희곡과 뮤지컬 대본을 읽을 때의 어려움과 그것을 어떻게 극복해야 하는지를 설명한다. 독자에게 요구되는 태도와 뮤지컬 대본의 특수성이 핵심이다.

 

① 고전 희곡의 특성

셰익스피어나 에우리피데스 같은 극작가의 고전 작품들은 비관습적이고 비현실적인 방식으로 인물의 생각과 감정을 전달한다. 이해하는 데 더 많은 기술과 인내가 필요하다.

 

② 올바른 독서 태도

시적 형식이나 고어체가 이해를 방해하게 두지 말고, 형식 자체를 의미를 드러내는 문체적 기법으로 봐야 한다.

 

③ 복잡한 언어의 대본

복잡한 언어나 낯선 스타일의 대본은 뉘앙스를 파악하기 위해 여러 번 추가로 읽어야 할 수도 있다.

 

④ 뮤지컬 대본의 특수성

 

뮤지컬은 대화보다 노래와 춤에 비중을 두기 때문에 읽으면서 시각화하기 특히 어렵다.

 

⑤ 뮤지컬 대본의 구조

음악과 가사를 제거하면 남는 것은 대화, 즉 리브레토(libretto) 인데, 이것은 매우 빈약할 수 있다. 무대에서는 시간이 많이 걸리는 춤과 동작이 대본에서는 아주 적은 공간만 차지한다.

 

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선지별 O/X 분석

① 고전 희곡은 인물의 내면 생각과 감정을 비관습적으로 표현하기 때문에 이해하는 데 더 많은 기술과 인내가 필요하다.

→ O (일치)

"Classical works ~ contain unconventional and unrealistic methods of communicating characters' thoughts and feelings, and take a bit more skill and patience to understand." 지문과 정확히 일치한다.

 

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② 독자들은 시적 형식과 고어체를 이해의 장애물이 아닌 의미를 드러내는 의도적인 문체적 선택으로 봐야 한다.

→ O (일치)

"The reader must be mindful not to let the poetic form or archaic word usage get in the way ~ but instead see the form itself as a revealing stylistic technique." 지문과 그대로 일치한다.

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③ 뮤지컬 대본에서 음악과 가사를 제거하면 남는 대화, 즉 리브레토는 대본에서 가장 풍부하고 실질적인 부분을 형성하는 경향이 있다.

→ ❌ (불일치) → 정답

지문을 보자.

"when the music and lyrics are removed from a musical theater script, what is left is the dialogue, known as the book or libretto, and it can be very thin."

 

지문은 음악과 가사를 제거하면 남는 리브레토가 매우 빈약할 수 있다(very thin) 고 했다. 그런데 ③은 "가장 풍부하고 실질적인 부분(richest and most substantive)" 이라고 정반대로 서술했다.

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④ 뮤지컬 대본은 대화의 비중이 줄고 노래와 춤에 더 집중하기 때문에 읽으면서 시각화하기 특히 어렵다.

→ O (일치)

"Musical theater pieces are particularly difficult to visualize when reading because of the diminished emphasis on dialogue and a significant emphasis on song and dance." 지문과 정확히 일치한다.

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⑤ 복잡하거나 낯선 스타일로 쓰인 대본은 뉘앙스가 완전히 드러나기 전에 한 번 이상 읽어야 할 수도 있다.

→ O (일치)

"Scripts with complex language or unfamiliar styles may require several additional readings in order for the nuance to become clear." 지문과 정확히 일치한다.

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이 문제의 핵심 함정

지문의 very thin(매우 빈약하다) 을 richest and most substantive(가장 풍부하고 실질적이다) 로 완전히 뒤집었다. 방향만 바꾼 게 아니라 최상급 표현까지 동원해서 그럴듯하게 포장한 함정이다.

뮤지컬 대본에서 리브레토가 남는다는 사실 자체는 맞기 때문에, 내용의 흐름만 대충 따라가면 ③이 맞는 것처럼 느껴질 수 있다. 그 리브레토의 성격이 어떤지를 정확히 기억하고 있어야 잡을 수 있는 함정이다.

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문학·예술 소재 지문 불일치 문제 풀이 전략

1단계 — 대상에 대한 평가어에 반드시 표시

(thin, rich, difficult, revealing, unconventional 등)

2단계 — 선지에서 같은 대상을 다루되 평가가 바뀐 것을 즉시 의심

3단계 — 최상급 표현(richest, most, best)이 갑자기 등장하면 지문에 근거가 있는지 확인

4단계 — 사실 관계는 맞는데 평가만 뒤집힌 선지를 특히 경계

 

 

문학·예술 소재 지문은 대상에 대한 평가의 방향이 핵심이다. 사실은 그대로 두고 평가만 슬쩍 바꾸는 함정이 자주 나온다. 형용사와 평가어를 끝까지 정확히 확인하는 습관이 이 유형의 핵심이다.

 

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The Makings의 2026년 고3 6월 전국 연합 모의고사 변형 문제는

총 11개의 유형으로 구성되어 있습니다.

 

1. 빈칸 채우기(객관식)

2. 글의 내용 일치/불일치(객관식/한글 선택지)

3. 글의 내용 일치/불일치(객관식/영어 선택지)

4. 글 끼어 넣기(객관식)

5. 어법(서술형)

6. 어휘(서술형)

7. 주제문(객관식/영어 선택지)

8. 어휘 빈칸 채우기(서술형)

9. 영작(서술형)

10. 요약문 완성하기(서술형)

11. 문단 재배열 하기(객관식)

 

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더메이킹스(The Makings)가 제작한 2026년 고3

6월 전국 연합 모의고사 변형 문제 Part 4의 지문입니다.

 

1번 지문(문항 번호 35번)

The bigger someone is, the more damage they can do to themselves through even a relatively innocuous accident. Despite toddlers falling over and bumping themselves regularly, the injuries they sustain are rarely serious. Their relatively thick bones in comparison to their mass mean they rarely build up enough energy, even at top speed, to do themselves much damage. Because of their increased mass (compounded by the fact that they are falling from a greater height and that their reactions may be slower), adults falling over will impact the ground with a much larger force. The nonlinear relationship between mass and bone strength means that although their bones are thicker than a toddler's in absolute terms, they may not be relatively thick enough to compensate for the larger impact caused by their increased mass. For the same reasons, taller people have been found to suffer more fall-related injuries ― like hip breaks ― than shorter people.

 

2번 지문(문항 번호 36번)

Plants have evolved defenses almost as diverse as the number of genera. Some load their tissues with harsh compounds that either are unpleasant to insects or intoxicate them, encouraging the insects to go bother another plant or at least slowing down their eating. Structural defenses like thick coats of wax on leaves may prevent some insect species from damaging the plant tissues altogether. Nor are individual plants entirely on their own while under attack. Plants can release chemical compounds that let their same-species neighbors know that an attack is likely coming, pushing those nearby plants to start building up defensive compounds in their tissues. Some of these cues even attract insect predators, a call for an assist that benefits both the plant and its bug-eating collaborators. The back-and-forth is not a matter of natural balance, but more like a drawn-out evolutionary conversation. New plant defenses unintentionally select for insects with ways to get around them, which in turn help bring about more resilient and resistant plant species. New variations, shading into entire new forms and adaptations, maintain the stalemate.

 

3번 지문(문항 번호 37번)

Although there may be elements that trigger instinctive response, spectacle works primarily within a cultural frame and is subject to prevailing modes of perception that observers bring to bear. In saying that, we stress that creation of spectacle is neither a universal nor even an inevitable expression of culture, but is a strategy commonly used by people from many different cultures to address specific needs. The task of creating spectacle has been likened to creating new works of literature, where writers normally feel bound by the rules and traditions of their genre yet need to show sufficient originality to impress their audiences. By extension, spectacle is produced by working with the grain of a particular culture, blending the innovative with the established. Thus anyone deploying spectacle may draw on a repertoire of techniques and conventions developed from previous festivals or related activities, but imitation is not enough. Spectacle must also be spectacular. A spectacle has to amaze spectators, outdoing previous efforts if it is to become part of the collective memory of those who witnessed and participated in it.

 

4번 지문(문항 번호 38번)

To minimize building costs and maximize revenues, skyscrapers generally take the shape of squares or rectangles. These are not particularly aerodynamic shapes, and this results in a wind phenomenon called "vortex shedding." As wind meets a rectangular skyscraper it pushes on the flat face of the building before flowing around its sides, where eventually it separates from the face of the structure. The difference in pressures on the front and back faces of the building gives rise to vortices, or spinning currents of wind, that flow downstream from the building. The vortices pull and push the building in a direction perpendicular to the wind at frequencies that can become dangerously self-sustaining. To minimize vortex shedding, skyscraper designers do everything in their powers to confuse the wind. Orienting the building so that the longer face of the structure is parallel with prevailing winds can help. Chopping or rounding off corners of a building can likewise make it more aerodynamic. Roughing up the corners of the building through the careful placement of balconies or stepped corners can help by disturbing or delaying the formation of strong vortices.

 

5번 지문(문항 번호 39번)

For thousands of years in the West, red was the only color worthy of that name, the only true color. As much on the historical as hierarchical level, it exceeded all others. Not that they did not exist, but they had to wait a long time before they were considered colors and then played a comparable role in material culture, social codes, and systems of thought. It was with red that humans did their first color experiments, achieved their first successes, and then constructed a chromatic universe. It was also within the range of reds that they learned early on to diversify the palette and to produce varied tones and shades, as the oldest known color terms demonstrate. Here the lexicon seems in keeping with pictorial practices and coloring techniques. In certain languages, the same word can mean "red" or simply "colored," depending on the context, such as coloratus in classical Latin or colorado in modern Castilian. In other languages, the words meaning "red" and "beautiful" share a common root; for example, that is the case in Russian, in which the terms krasnyy (red) and krasivy (beautiful) belong to the same lexical family.

 

6번 지문(문항 번호 40번)

In the pharmaceutical industry, algorithms are being employed to find treatments and drugs for rare diseases that to date haven't received much attention. The hard truth has always been that pharma devotes more research and development resources to diseases that affect the rich. The definition of rare has too often been associated with poor ― that is, even if a disease is quite prevalent in a population that cannot afford to pay for it (for example, people living in the developing world), the disease has been neglected compared to First World illnesses. By lowering the cost of data collection, mining, and analysis in drug development and clinical trials, AI can help offset imbalances in the pharmaceutical industry that direct attention to diseases that "pay," whether because the disease is more common or because it is prevalent among demographics that can pay more. We see the democratizing power of AI to broaden the attention of the medical and research communities to find cures to traditionally neglected health issues and among traditionally neglected populations.