2020년 고1 9월 전국 연합 모의고사 변형 문제 4

2020년 고1 9월 전국 연합 모의고사

변형 문제 4

 

2020년 고1 9월 전국 연합 모의고사 변형 문제

일반 워크북 형태의 문제에서 벗어나 The Makings가 만든  

2020년 고1 9월 전국 연합 모의고사 변형 문제 4

출판사에서 오랫동안 영어 번역과 교정을 하셨던 원어민 선생님과

현직에서 강사를 하고 있는 연구진들이 학생들을 위한 최상의

2020년 고1 9월 전국 연합 모의고사 변형 문제 4 를 선보입니다.

사고력과 이해력을 요구하는 문제들로 내신 대비 뿐만이 아니라

수능도 한꺼번에 공부하실 수 있는 자료입니다.

중간고사&기말고사 전에 더메이킹스(The Makings)에서

제작한 2020년 고1 9월 전국 연합 모의고사 변형 문제로 마무리 하세요.

 

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2020년 고1 9월 전국 연합 모의고사 변형 문제 4

 

themakings.co.kr

 

2020년 고1 9월 전국 연합 모의고사 변형 문제

 

The Makings의 2020년 고1 9월 전국 연합 모의고사 변형 문제는

총 11개의 유형으로 구성되어 있습니다.

 

1. 빈칸 채우기(객관식)

2. 글의 내용 일치/불일치(객관식/한글 선택지)

3. 글의 내용 일치/불일치(객관식/영어 선택지)

4. 글 끼어 넣기(객관식)

5. 어법(서술형)

6. 어휘(서술형)

7. 주제문(객관식/영어 선택지)

8. 어휘 빈칸 채우기(서술형)

9. 영작(서술형)

10. 요약문 완성하기(서술형)

11. 문단 재배열 하기(객관식)

 

 

더메이킹스(The Makings)가 제작한  2020년 고1 9월 전국 연합 모의고사

변형 문제 4의 지문입니다.

 

1번 지문(문항 번호 37번)

Mirrors and other smooth, shiny surfaces reflect light. We see reflections from such surfaces because the rays of light form an image on the retina of our eyes. Such images are always reversed. Look at yourself in a mirror, wink your right eye and your left eye seems to wink back at you. You can use a mirror to send a coded message to a friend. Stand a mirror upright on the table, so that a piece of paper on the table can be clearly seen in the mirror. Now write a message that looks right when you look in the mirror. Keep your eyes on the reflected image while you are writing and not on your paper. After a little practice, it will be easier to write "backwards." When your friend receives such a message he will be able to read it by holding the paper up to a mirror.

 

2번 지문(문항 번호 38번)

Reciprocity can be explored in captivity by handing one chimpanzee a large amount of food, such as a watermelon or leafy branch, and then observing what follows. The owner will be center stage, with a group of others around him or her, soon to be followed by newly formed groups around those who obtained a sizable share, until all food has been distributed. Beggars may complain and cry, but aggressive conflicts are rare. The few times that they do occur, it is the possessor who tries to make someone leave the circle. She will hit them over their head with her branch or bark at them in a high-pitched voice until they leave her alone. Whatever their rank, possessors control the food flow. Once chimpanzees enter reciprocity mode, their social rank no longer matters.

 

3번 지문(문항 번호 39번)

Gender research shows a complex relationship between gender and conflict styles. Some research suggests that women from Western cultures tend to be more caring than men. This tendency may result from socialization processes in which women are encouraged to care for their families and men are encouraged to be successful in competitive work environments. However, we live in a society where gender roles and boundaries are not as strict as in prior generations. There is significant variability in assertiveness and cooperation among women, as well as among men. Although conflict resolution experts should be able to recognize cultural and gender differences, they should also be aware of within-group variations and the risks of stereotyping. Culture and gender may affect the way people perceive, interpret, and respond to conflict; however, we must be careful to avoid overgeneralizations and to consider individual differences.

 

4번 지문(문항 번호 40번)

One way that music could express emotion is simply through a learned association. Perhaps there is nothing naturally sad about a piece of music in a minor key, or played slowly with low notes. Maybe we have just come to hear certain kinds of music as sad because we have learned to associate them in our culture with sad events like funerals. If this view is correct, we should have difficulty interpreting the emotions expressed in culturally unfamiliar music. Totally opposed to this view is the position that the link between music and emotion is one of resemblance. For example, when we feel sad we move slowly and speak slowly and in a low-pitched voice. Thus when we hear slow, low music, we hear it as sad. If this view is correct, we should have little difficulty understanding the emotion expressed in culturally unfamiliar music.