2026년 고3 3월 전국 연합 모의고사 변형 문제 Part 3

2026년 고3 3월 전국 연합 모의고사

변형 문제 Part 3

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2026년 고3 3월 전국 연합 모의고사 변형 문제

2026년 고3 3월 전국 연합 모의고사 변형 문제

 

일반 워크북 형태의 문제에서 벗어나 The Makings가 만든

2026년 고3 3월 전국 연합 모의고사 변형 문제 Part 3

출판사에서 오랫동안 영어 번역과 교정을 하셨던 원어민 선생님과 

현직에서 강사를 하고 있는 연구진들이 학생들을 위한 최상의 2026년

고3 3월 전국 연합 모의고사  변형 문제 Part 3 을 선보입니다. 

사고력과 이해력을 요구하는 문제들로 내신 대비 뿐만이 아니라 수능도 한꺼번에 공부하실 수 있는 자료입니다.

중간고사&기말고사 전에 더메이킹스(The Makings)에서 제작한

2026년 고3 3월 전국 연합 모의고사 변형 문제로 마무리 하세요. 

 

정답 확인 하러가기!

https://themakings.co.kr/243/?idx=1235

2026년 고3 3월 전국 연합 모의고사 변형 문제 Part 3 (66문항) (PDF)

 

 

The Makings의 2026년 고3 3월 전국 연합 모의고사 변형 문제는

총 11개의 유형으로 구성되어 있습니다. 

 

1. 빈칸 채우기(객관식)

2. 글의 내용 일치/불일치(객관식/한글 선택지)

3. 글의 내용 일치/불일치(객관식/영어 선택지)

4. 글 끼어 넣기(객관식)

5. 어법(서술형)

6. 어휘(서술형)

7. 주제문(객관식/영어 선택지)

8. 어휘 빈칸 채우기(서술형)

9. 영작(서술형)

10. 요약문 완성하기(서술형)

11. 문단 재배열 하기(객관식)

 

 

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더메이킹스(The Makings)가 제작한

2026년 고3 3월 전국 연합 모의고사 변형 문제 Part 3의 지문입니다. 

 

1번 지문(문항 번호 29번)

Darwin understood that since inheritance is conservative, it is in the nature of the organism to impose itself on the surroundings, producing many highly similar but variable offspring regardless of the nature of the conditions. He further recognized that these fundamental aspects of the nature of the organism imply reproductive overrun, with organisms routinely producing more offspring than there are resources to support them. The need to survive implies that the capacity for using necessary resources must complement the opportunity to use them. But needs and opportunity do not perfectly match. Inheritance produces the capacities for exploiting the surroundings, but in a way that is indifferent to the surroundings. Offspring cannot anticipate the nature of the conditions in which they find themselves, much less alter themselves in ways that are suitable to any changes in those conditions. While it is true that organisms can express some amount of flexibility in their form and function in response to their immediate surroundings, these adjustments are minor compared to the constraints of inheritance. As a result, not every living thing can live everywhere.

 

2번 지문(문항 번호 30번)

Every time you conceptualize, categorize, and put a name on something that is not a proper name, you abstract away from its particularities. Picture daisies and clover flowers in a lawn. Those four ordinary nouns leave out their differences. "Flower" co-categorizes the white and yellow types with the beige ones, and all the many other sorts to be found elsewhere. "Lawn" neglects the varieties of grass and all the nongrassy plants that are there. Zoom in, and you will find individuality and uniqueness everywhere. No two daisies, no two clovers, are exactly alike, and yet they present to a quick glance a carpet patterned uniformly enough. For most practical purposes, the differences can be ignored ─ making a daisy chain, sunbathing, and the like. Not so, however, for the groundskeeper of a sports stadium, where the constituent grasses and their stages of growth really do matter. And to an infinite mind, with infinite memory, each blade of grass, with its own distinct life history, need not be co-categorized with all its fellows. Each could have its own name, as you yourself do.

 

3번 지문(문항 번호 31번)

"Art without commerce is a hobby." These words, spoken with much authority to senior fine arts majors, are the kind that those who create art are unable to ignore. We worry about this idea that if we are not engaged in commerce, then we are not professional; and if we are not professional, can we even call ourselves artists? Art of any form, by its very nature, cannot or should not be quantified, and yet writers measure pages and words; visual artists measure canvases completed all in an effort to appear "productive," to perhaps justify this urge to create. The notion of creating for art's sake is then seen as hopelessly romantic and nearly indefensible. Of course one can engage in art, but it better be for money, for that is the only marker of success. But was that professor's declaration merely an old talker with a title mindlessly repeating the cultural norms and expectations that had, in fact, labeled him as "successful"? In Western culture, it is almost impossible to separate professional from commercial, and so the artist is legitimized by their ability to earn money. Professional art, then, is inherently capitalist.

 

4번 지문(문항 번호 32번)

We cannot make sense of the facts of the past unless they are embedded in stories, and stories, of necessity, are not neutral collections of facts. Stories are necessarily selective, subjective and attractive. The shortest of stories is the result of choices, conscious and unconscious. Stories influence subtly, invest power, make hidden moral judgement and always distort by omission, whether intentionally or not. This is why all educated citizens need not just facts about the past but history as a discipline. For we need to understand why history takes the form that it does in scholarly accounts. Disciplined historical argument is not the same as informal hearing and telling of stories; it requires familiarity with abstract generalizations, familiarity with prior scholarly discourse and an ability to make use of evidence, styles of argument and analytic structures in order to substantiate claims. Such disciplinary knowledge is not the same as 'everyday' knowledge and it is not likely to be picked up informally.

 

5번 지문(문항 번호 33번)

All architectural structures are forms of spatial choreography that guides action; space facilitates or prohibits, encourages or prevents, invites or inhibits. This choreography predetermines patterns of movement and behavior, but it also guides experiential characteristics, perceptions, imageries, emotions and feelings. A sensitive and empathic designer intuits human behavior and desire, and this intuitive architectural scripting resonates with the actual user/occupant's natural and instinctual needs and intentions. While designing a house, the designer lives, uses and feels the non-existent house in his imagination on behalf of the future dweller. A correctly placed window is located exactly where the occupant wishes to look out into the garden, or where daylight is needed. The stairway is located where the dweller wishes to enter the floor above or below. Successful architecture does not need manuals or signage for its use, as it reveals its very structure and use in a wordless manner. A profound building is an extension of human bodily and mental actions and capabilities.

 

6번 지문(문항 번호 34번)

Think of the totality of your interactions where behavioral and interactional data is recorded and collected. All of those traces represent a kind of resource. It is accumulated over the long history of your recorded actions and choices, built up from traces left on everything from social media to credit reporting agencies, shopping websites and loyalty programs, courthouses, social welfare agencies, pharmacies, and the content of emails and chats. It incorporates whatever value is in your social network, along with synthetic measures of your trustworthiness or accountability in the world. It is diverse and multidimensional and, of course, it is not all gathered into a single place or condensed down to a single quantity. But in principle it might be. It might take the form of some vector of information that summarizes your situation and value across many features ─ something that compactly represents your position in the multidimensional space of classification situations. It would, in short, characterize your social location.