2024년 고1 10월 전국 연합 모의고사 변형 문제 Part 3

 

2024년 고1 10월 전국 연합 모의고사

변형 문제 Part 3

 

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2024년 고1 10월 전국 연합 모의고사 변형 문제 Part 3

일반 워크북 형태의 문제에서 벗어나 The Makings가 만든 

2024년 고1 10월 전국 연합 모의고사 변형 문제 Part 3

출판사에서 오랫동안 영어 번역과 교정을 하셨던 원어민 선생님과

현직에서 강사를 하고 있는 연구진들이 학생들을 위한 최상의 

2024년 고1 10월 전국 연합 모의고사 변형 문제 Part 3을 선보입니다.

사고력과 이해력을 요구하는 문제들로 내신 대비 뿐만이 아니라

수능도 한꺼번에 공부하실 수 있는 자료입니다.

중간고사&기말고사 전에 더메이킹스(The Makings)에서 제작한

2024년 고1 10월 전국 연합 모의고사 변형 문제로 마무리 하세요.

 

정답 확인 하러가기!

https://themakings.co.kr/208/?idx=1126

2024년 고1 10월 전국 연합 모의고사 변형 문제 Part 3(PDF)

 

themakings.co.kr

 

The Makings의 2024년 고1 10월 전국 연합 모의고사 변형 문제 Part 3은

총 11개의 유형으로 구성되어 있습니다.

 

1. 빈칸 채우기(객관식)

2. 글의 내용 일치/불일치(객관식/한글 선택지)

3. 글의 내용 일치/불일치(객관식/영어 선택지)

4. 글 끼어 넣기(객관식)

5. 어법(서술형)

6. 어휘(서술형)

7. 주제문(객관식/영어 선택지)

8. 어휘 빈칸 채우기(서술형)

9. 영작(서술형)

10. 요약문 완성하기(서술형)

11. 문단 재배열 하기(객관식)

 

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더메이킹스(The Makings)가 제작한  

2024년 고1 10월 전국 연합 모의고사 변형 문제 Part 3의 지문입니다.

 

1번 지문(문항 번호 29번)

Digital technologies are essentially related to metaphors, but digital metaphors are different from linguistic ones in important ways. Linguistic metaphors are passive, in the sense that the audience needs to choose to actively enter the world proposed by metaphor. In the Shakespearean metaphor "time is a beggar," the audience is unlikely to understand the metaphor without cognitive effort and without further engaging Shakespeare's prose. Technological metaphors, on the other hand, are active (and often imposing) in the sense that they are realized in digital artifacts that are actively doing things, forcefully changing a user's meaning horizon. Technological creators cannot generally afford to require their potential audience to wonder how the metaphor works; normally the selling point is that the usefulness of the technology is obvious at first glance. Shakespeare, on the other hand, is beloved in part because the meaning of his works is not immediately obvious and requires some thought on the part of the audience.

 

2번 지문(문항 번호 30번)

Herbert Simon won his Nobel Prize for recognizing our limitations in information, time, and cognitive capacity. As we lack the resources to compute answers independently, we distribute the computation across the population and solve the answer slowly, generation by generation. Then all we have to do is socially learn the right answers. You don't need to understand how your computer or toilet works; you just need to be able to use the interface and flush. All that needs to be transmitted is which button to push ─ essentially how to interact with technologies rather than how they work. And so instead of holding more information than we have mental capacity for and indeed need to know, we could dedicate our large brains to a small piece of a giant calculation. We understand things well enough to benefit from them, but all the while we are making small calculations that contribute to a larger whole. We are just doing our part in a larger computation for our societies' collective brains.

 

3번 지문(문항 번호 31번)

The best defence most species of octopus have is to stay hidden as much as possible and do their own hunting at night. So to find one in full view in the shallows in daylight was a surprise for two Australian underwater photographers. Actually, what they saw at first was a flounder. It was only when they looked again that they saw a medium-sized octopus, with all eight of its arms folded and its two eyes staring upwards to create the illusion. An octopus has a big brain, excellent eyesight and the ability to change colour and pattern, and this one was using these assets to turn itself into a completely different creature. Many more of this species have been found since then, and there are now photographs of octopuses that could be said to be transforming into sea snakes. And while they mimic, they hunt ─ producing the spectacle of, say, a flounder suddenly developing an octopodian arm, sticking it down a hole and grabbing whatever's hiding there.

 

4번 지문(문항 번호 32번)

How much we suffer relates to how we frame the pain in our mind. When 1500m runners push themselves into extreme pain to win a race ─ their muscles screaming and their lungs exploding with oxygen deficit, they don't psychologically suffer much. In fact, ultramarathon runners ─ those people who are crazy enough to push themselves beyond the normal boundaries of human endurance, covering distances of 50-100km or more over many hours, talk about making friends with their pain. When a patient has paid for some form of passive back pain therapy and the practitioner pushes deeply into a painful part of a patient's back to mobilise it, the patient calls that good pain if he or she believes this type of deep pressure treatment will be of value, even though the practitioner is pushing right into the patient's sore tissues.

 

5번 지문(문항 번호 33번)

When I worked for a large electronics company that manufactured laser and inkjet printers, I soon discovered why there are often three versions of many consumer goods. If the manufacturer makes only one version of its product, people who bought it might have been willing to spend more money, so the company is losing some income. If the company offers two versions, one with more features and more expensive than the other, people will compare the two models and still buy the less expensive one. But if the company introduces a third model with even more features and more expensive than the other two, sales of the second model go up; many people like the features of the most expensive model, but not the price. The middle item has more features than the least expensive one, and it is less expensive than the fanciest model. They buy the middle item, unaware that they have been manipulated by the presence of the higher-priced item.

 

6번 지문(문항 번호 34번)

Onscreen, climate disaster is everywhere you look, but the scope of the world's climate transformation may just as quickly eliminate the climate-fiction genre ─ indeed eliminate any effort to tell the story of warming, which could grow too large and too obvious even for Hollywood. You can tell stories 'about' climate change while it still seems a marginal feature of human life. But when the temperature rises by three or four more degrees, hardly anyone will be able to feel isolated from its impacts. And so as climate change expands across the horizon, it may cease to be a story. Why watch or read climate fiction about the world you can see plainly out your own window? At the moment, stories illustrating global warming can still offer an escapist pleasure, even if that pleasure often comes in the form of horror. But when we can no longer pretend that climate suffering is distant ─ in time or in place ─ we will stop pretending about it and start pretending within it.